Florian Zeller comes back with an excellent chapter or script called The Father. The Father is directed by Florian Zeller. Not only was Zeller the director of this film, but he was also the co-writer of the film. Christopher Hampton and Florian Zeller both worked on the screenplay for this film, The Father. Coming to the production department, the producers who produced this film, The Father, are Jean Louis Livi, David Parfitt, Christophe Spadone, Phillippe Carcassonne, and Simon Friend. These five producers have invested money in this film. This film is based on Le Pere by Florian Zeller. Ben Smithard was a photographer who worked on the film The Father.
The background music (BGM) is one of the highlights of this movie. It was composed by the music director Ludovico Einaudi. F Comme Film, Cine@, AG Studios, Trademark Film, Orange Studio, Cine+, Canal+, and Film4 are the production companies. This film was released on different dates in different regions, such as January 27, 2002, in Sundance, In France, and The Father was released on May 26, 2021. And June 11, 2021, it was released in the United Kingdom. The actual screen run time is 97 minutes. The actual budget of this film is 6 million dollars, and the box office collection when this film is released in theaters is approximately 28.6 million dollars. Now coming to the story ending of this film, “The Father,” what happened actually? Is it a happy ending or not?

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What happened to the Father and his daughter? In The Father, What Was Real, and What Was In Anthony’s Head?
In the film The Father, Anthony recounts his mother to Catherine in an extremely agonizing scene that serves as the film’s finale, and he immediately wishes to return home as tears well up in his eyes. In his twilight, he confides in Catherine that he believes he’s “losing all his leaves” and has grown unmoored from the things that gave his life meaning. Catherine comforts him as he sobs in her arms and assures him that he will soon forget about the unpleasantness. They’ll go for a walk later, and everything will be OK., which is often filled with a great deal of confusion, fuzzy memories, and a great deal of uncertainty about what is real and what isn’t.

Finally, the camera looks out his window at the trees whose leaves are rustling in the breeze. It’s a moving and touching scene in the film that brings his character’s journey to a new level of emotional depth. It’s easy to wonder what truly happened to Anthony and what he envisioned or erroneously put together in his head because of the subjective, convoluted quality of the video. The Father is the focus of the Anthony Hopkins film, which invites the spectator to identify with him in a way that parallels the character’s sense of being victimized by his environment. He frequently confuses people’s faces, mistaking Anne for Catherine and Paul for Bill.
In one scene, he gets smothered in his sleep by Anne. In another scenario, Paul assaults him bodily. In another, he overhears his daughter and son-in-law criticizing him, only to join them, leave, and return to the same situation as before. At the very least, the smothering was imagined. Given that he survives until the end of the movie, it underlines Anthony’s fragility at the hands of Paul, who very well may have slapped him and spoken openly against him. Anthony, who is unable to recall this due to his dementia, keeps bringing it up, particularly about how much his most recent caretaker resembles her. Later in the film, he investigates the flat and discovers that it has been converted into a hospital.
Where he discovers Lucy, bloodied and in a brace, lying in a bed with all manner of medical equipment surrounding her. He awakens from what appears to be a dream or recollection and finds himself in his assisted living facility, where he will spend the rest of the movie. Given how upset Anthony becomes when recalling Lucy, it makes sense that she has died. Furthermore, he treats his live daughter, Anne, harshly, as if he is enraged that she has survived while his more favored daughter has died. These scenes have a sense of gravity to them, yet what can be deduced is that Anne is at her wit’s end caring for her Father, who is often nasty to her due to his dementia, as well as his underlying animosity toward her and what happened to Lucy.

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Did Anthony follow the pattern of the Father?
Anthony’s comprehension of the world around him has degraded to the point where he requires regular supervision by the time he’s in the hands of an assisted living home in The Father. The film finishes with the promise that he and Catherine will keep up a routine that has been going on for a long time, even though the viewer and Anthony wouldn’t know it. Despite what one might expect from a film about a parent with dementia, the video concludes with a shot of Anthony calmly floating into the afterlife rather than a shot of the trees outside his chamber. Even though his fate is all but sealed, the film has more to say about his final circumstances than whether he lived or died.
The Father’s subject matter is basic, but Zeller manages to walk this tightrope with the use of a visual metaphor. Catherine recognizes the comfort of Anthony’s situation as she consoles a devastated and detached Anthony: while he is currently suffering under the weight of his ending, his dementia allows him to forget about it. Rather than fighting old age or finding some obvious uplifting ending in which his daughter stays with him till the end, Zeller takes dementia one minute at a time, with Catherine pushing Anthony to focus on what is happening right now.

Does the tree have leaves at the end of the movie?
People eventually get old, and children live their lives, and that’s fine. It’s also fascinating how the film deals with memories, with Anthony generally immersing himself in the events that caused him emotional agony – he’s frequently fearful, devastated, afraid of being attacked because of his disorientation or feeling out of place. To that end, the film is profound in its exploration of dementia as a labyrinthine journey through the mind of someone suffering from it. The tree’s leaves are still on the tree at the end of The Father.
However, that is a very nice comment regarding Anthony’s situation in the movie. He had overcome many obstacles, but he also had some positive experiences during his life. Similarly, the tree’s leaves represent the progression of his life. As it illustrates, at the end of the day, there is still hope in everyone’s soul, which keeps each of us alive and stronger to face the challenges that life throws at us.
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