Montserrat Caballé’s net worth is covered in the article. Caballe, who died at the age of 85, was a relic of a previous generation of divas. The new hegemony that made conductors and directors, rather than singers, the dominating figures in opera, blatantly ignored. She demonstrated an inbuilt capacity to live life to the fullest offstage, always cheerful and self-deprecating. Montserrat had reservoirs of power and drove hidden beneath that demeanor, which she had gained through adversity during the Spanish civil war. She became an international star overnight when she replaced Marilyn Horne in Donizetti’s Lucrezia Borgia for the American Opera Society in New York in 1965.
She’d already performed as Countess Almaviva in Le Nozze di Figaro and the Marschallin in Der Rosenkavalier at Glyndebourne. Donna Elvira at the Vienna State Opera in 1960 was followed by Arabella at the Liceo in Barcelona in 1961. She was to appear in a wide variety of roles for the next three decades. Violetta at Covent Garden was a remarkable occasion because of Caballé’s vocal brilliance and appealingly sincere interpretation. Carballo had already won the hearts of London audiences by performing Bellini and Donizetti in concert under the auspices of the London Opera Society.
She had married the Spanish tenor Bernabé Mart, whom she had met in a Madama Butterfly production the year before. Also, She was often likened to Maria Callas, but she lacked the explosive passion and forceful acting of her predecessor, instead opting for a magnificent tone and flawless technique.
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A Look Into The Life of The Singer
In 1956, she made her professional debut in Puccini’s La bohème as a last-minute replacement for Mim. At the Bremen Opera, Caballé sang Mozart (Erste Dame in Die Zauberflöte), Strauss (Salome), and Gluck (Iphigénie en Tauride). Caballé made her worldwide debut in 1965 when she took over for a pregnant Marilyn Horne in a semi-staged performance of Donizetti’s Lucrezia Borgia at Carnegie Hall in New York. She returned to Carnegie Hall for her second bel canto opera, Roberto Devereux, in which she sang Queen Elizabeth I. Caballé made her Metropolitan Opera debut on December 22, 1965, to round off the year.
Caballé made his Arena di Verona debut in a Jean Vilar staging of Verdi’s Don Carlo in 1970. In an all-star cast that included Plácido Domingo and Piero Cappuccilli, she played Elisabetta of Valois. Violetta was her debut role, which she sang at Covent Garden and the Lyric Opera of Chicago in 1972. That same year, she made her Met debut as Norma opposite Carlo Cossutta, who was making his Met debut as Pollione. Caballé underwent significant abdominal surgery in 1974 to remove a big benign tumour.
By early 1975, she had recovered and was back on stage. She returned to the Met in 1976 as Norma and sang her first Aida. Over the next decade, she visited the house ten more times. Throughout her long career, Caballé recorded extensively, including several significant recordings of full operas as well as recital albums. Aida, Fiordiligi in Mozart’s Cos fan Tutte, and Liù in Turandot are among the parts she left a “huge discography” of.
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What is Montserrat Caballé’s Net Worth?
Montserrat Caballé’s Net Worth at the time of her death was around $30 million. The prime source of their income was her career as an opera singer. Caballé performed the title roles in Medea by Cherubini, Agnes von Hohenstaufen by Spontini, and Saffo by PaciniInAt 2002, she made her final appearance in Covent Garden as Catherine d’Aragon in Saint-Saens’ Henry VIII. She was a talented and lovely recitalist who was not afraid to go up against contemporaries like Elisabeth Schwarzkopf and Luciano Pavarotti. She received a six-month suspended prison term for tax evasion in 2015.
Caballé, the Spanish ambassador to Russia, died on October 6, 2018, at the age of 85. the reason for their death has not been disclosed. Spain’s King Felipe VI spoke to her as “the greatest of the best,” while Prime Minister Pedro Sánchez referred to her as a “wonderful ambassador.”
